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This is a place where the visitors are confronted with their search for a personal touch and where they have an opportunity to get acquainted with a skilled expert, who has turned durability and tradition into a personal passion.
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Tuesday, 25 June 2013

WOODCARVING Grinling Gibbons Style | Jubelparkmuseum in Brussels | 17th century STYLE WOODCARVING


Patrick Damiaens
Ornamental woodcarver












High-relief carving in the style of Grinling Gibbons
Woodcarving in limewood

 
Jubelparkmuseum, Brussels




Recently I paid a visit to the Jubelparkmuseum in Brussels. Not only is the Jubelparkmuseum the center of the royal galleries for art and history, it also houses the richest art collection of our country. There I had an appointment with Emile Van Binnebeke, who is conservator and the person responsible for the European decorative arts. From him I received an exclusive tour through the catacombs of the museum, a true labyrinth of hallways, storage accommodations, technical rooms …






My annual trip to Brussels

It’s for more than 40 years now that I’m a regular visitor of the Jubelparkmuseum. As a child I made an annual trip to Brussels with my parents and sisters. A visit to the museum of fine arts, the Africa museum or the Jubelparkmuseum was a must during our voyage.

Throughout the years the Jubelparkmuseum kept a certain appeal to me, that’s why it’s still my favorite museum in Brussels. Why? I don’t know exactly. Probably it has something to do with the out of date but charming character of its interior. Or maybe it’s the collection itself. After all the museum is in the possession of a very divers art collection, going from Egyptian sarcophagi to Greek art, Art Nouveau and many other decorative objects. Another reason might be the enormous labyrinth of hallways and rooms, which give you the feeling to sink into an ocean of history and art.

Every decorative style, every period and every culture is represented in the museums collection. We can therefor compare this collection to these of many other great galleries like the Rijksmuseum in Amsterdam and the V&A in London. Despite this fact, the Jubelparkmuseum remains unknown to tourists.


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17th century style woodcarving

When visiting the museum I noticed that the collection of 18th century Liège style furniture and 17th century decorative art has been put back in order. Thanks to this new set up an extraordinary high-relief carving  out of lime wood became the eye-catcher of the room. This beautiful piece of art reminded me of the work of the English woodcarver Grinling Gibbons (17th century), who created brilliant woodcarvings in his time.

The sculpture below might be the work of Belgian woodcarver Peter Van Dievoet (Brussels, 1661-1729). For a short period of time Van Dievoet labored in the workshop of Gibbons in London but returned to Brussels after the glorious revolution in 1688.

Observe this magnificent piece of craftsmanship






Grinling Gibbons

Grinling Gibbons (Rotterdam, 4th of April 1648-London, 3rd of August 1721) is considered to be one of the most influential and finest woodcarvers in the history of the United Kingdom. In spite of his recognition, very little is known about his youth, training and further life. But what we do know is that his mastership took the art of woodcarving to the next level.


Jubelparkmuseum, Brussels

The Jubelparkmuseum: for the most of us unknown but a true recommendation for everyone who loves art.

















For many (incl. foreign tourists) an unknown museum, but a wonderful collection, a real must.

              

https://www.patrickdamiaens.info


Friday, 31 May 2013

Annual excursion of my students Ornamental Woodcarving | The Château of Modave | Château de Deulin | Educational fieldtrip



Annual educational fieldtrip with my students ornamental woodcarving


Annual excursion- Educational fieldtrip of the course members 
woodcarving – ornamental woodcarving

For a number of years now I’ve been taking the students in my ornamental carving – woodcarving class on an annual fieldtrip. The Château Versailles is one of those places they really look forward to. Yet this year, I opted for a number of exquisite locations right here on Belgian soil.

The Château of Modave is unique because of its beautifully preserved historical interior and furniture, dating back to the period between the 17th and the 19th century. 
At the Château Deulin we were fortunate enough to experience the annual “Antiques & collectibles fair”. Less fortunate was the fact that on this day the castle was closed to the public. 

The Château of Modave and the Château Deulin are two destinations which are easily accessible by car. A visit is highly recommended!


On the way back, we also visited the city of Liège, where we briefly went sightseeing and where we visited the renowned Musée d'Ansembourg, a museum dedicated to the 18th century decorative arts and furniture of Liège. We ended this exceptional day in a restaurant in the historical city centre of Liège.


Here are some pictures of the day in question:

The Château de DEULIN

The Château de Deulin
 



























































The Château de MODAVE

The Château de Modave



































Liège, sightseeing and the Musée d'Ansembourg

Liège


City walk in Liège, Belgium




Liège Style Furniture
The d'Ansembourg Museum in Liège



























 



























https://www.patrickdamiaens.info


Restoration of a carved panelling | Restoration Antique Wall Panelling | ROCOCO Style Panelling



Patrick Damiaens
Ornamental Woodcarver

Restoration of a Carved and Gilded Panelling










A Carved and Gilded Panelling

This picture-gallery - panelling - in-wall cabinets, originates from an old manor house in the vicinity of Tours, France. The paintings located above the cabinet doors represent various rustic scenes from the 18the century.

The chamber was crafted in oak and sculptured in the style of Louis XV. In this composition extraordinary ornamental decorations can be found, such as a centrally placed music trophy surrounded with gilded rocaille motives (decorations shaped in the form of a shell).

Unfortunately, throughout the years parts of the ‘dessus de porte’ which were hanging above the entrance of the room went missing. Leaving some decorations incomplete with only the upper pieces remaining intact. Therefore we lack information on how the original panels looked like, making this project very difficult.

Important for the reconstruction/restoration of these ‘dessus de porte’ panels, was to give the new parts the same character as the authentic wainscoting

The restoration of this panelling was an assignment of “Architectural Antiques Theo Evers” from Hoensbroek, the Netherlands. It is intended to rebuilt this chamber in a residence in Moscow.