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Showing posts with label 'architectural woodcarving'. Show all posts
Showing posts with label 'architectural woodcarving'. Show all posts

Friday, 5 May 2017

A Bas-Relief of Saint Martin of Tours Carved in Wood | Bas-relief carving | The City of Zaltbommel | Bas-relief carving | Bas-Relief in wood

A Bas-Relief of Saint Martin of Tours Carved in Wood | Bas-relief carving | The City of Zaltbommel | Bas-relief carving | Bas-Relief in wood
 Bas-Relief of Saint Martin of Tours Carved in Wood


A Bas-Relief of Saint Martin of Tours Carved in Wood
A low-relief or bas-relief is a sculpting method which is characterized by a rather shallow representation of the image. Usually the image or subject has been flattened substantially. As a result it only appears realistic when viewed from the front. The side view of a bas-relief renders a significantly distorted image.

Method
First, a rough sketch is made. The origin or source of the drawing can be based on an original panel, provided that any inaccuracies or imperfections are modified. The design can also originate from a personal expression, while of course staying true to the original “spirit” of the design. The internet often serves as a great source of inspiration and guidance.

A Bas-Relief of Saint Martin of Tours Carved in Wood | Bas-relief carving | The City of Zaltbommel | Bas-relief carving | Bas-Relief in wood

Upon refinement, the final drawing is copied onto tracing paper, which is then applied to the wood with thumbnails. By making use of carbon paper and a scriber the drawing is transferred to the wood. The image of the bas-relief is now present on the wooden panel.

Bas-relief carving | Bas-Relief in wood

The wood carver uses a router to remove any wood surrounding the image, thus creating a work plane or work field.



The actual wood carving can now begin. This phase is called “modelling”. Many years of training, diligence and fulltime experience are of vital importance to master this technique.
The importance of the routing work now becomes apparent. During the modelling phase the original drawing of the image gradually disappears. During this step the drawing or pattern is reapplied to the wooden panel by means of a scriber or marking tool.

Bas-relief carving | Bas-Relief in wood


The lines and markings left by the marking tool are now chiseled of. The contours or outline of the pattern slowly starts to appear. In this phase the chisels act as drawing instruments. It is important not to carve too deep, i.e. to the base (of the relief), so that it is always possible to make (minor) changes to the relief.
The panel is now finished and can be returned to the cabinet-maker (joiner), so it can be integrated into the wooden mantelpiece.

A Bas-Relief of Saint Martin of Tours Carved in Wood | Bas-relief carving | The City of Zaltbommel | Bas-relief carving | Bas-Relief in wood

Patrick Damiaens | A Bas-Relief of Saint Martin of Tours Carved in Wood | Bas-relief carving | The City of Zaltbommel | Bas-relief carving | Bas-Relief in wood
 Bas-Relief of Saint Martin of Tours Carved in Wood


Saint Martin of Tours – A Brief History

Saint Martin is a well-known saint. Many places and churches have been named in his honor. Maybe you know one or two? Martin (Latin: Martinus), meaning “little Mars” (The Roman God of war) was born in 316 AD. During that time emperor Constantine had just converted to Christianity. Christians were therefore no longer persecuted. Saint Martin is generally regarded as the first saint who did not die a martyr.
When Martin was 15 years old he joined the army. He became a Roman legionnaire. He had to because his father was a regular soldier in the Roman army too. At that time a son had to follow in his father’s footsteps. However, Martin turned out to be quite an exceptional legionnaire. He was different from the others. He was patient and modest, helped the sick, and gave everything he didn’t need to the poor and needy.
One day something truly remarkable happened. Something people still mention to this day. This story is recounted in old books about the life of Saint Martin. At the time these types of books were true bestsellers. They served as a source of inspiration for countless stories, songs and plays. It was winter and it was freezing cold. Many people had frozen to death, especially the poor.
Martin saw a beggar sitting at the city gate. The man was cold as he was only wearing thin, ragged clothes. Yet, everyone walked passed him, and offered only lame excuses. They did not have any money, their purse was tucked away too far beneath their clothes, or they were late for a meeting. It was bitterly cold and everyone was in a hurry to get home. Martin was on his way home as well, and he too did not have anything to offer, or did he?
He had no money. He did, however, carry his sword with him, and he was wearing a warm army overcoat. Suddenly, he did something unusual. He used his sword to cut his coat in two, upon which he gave one part to the beggar. He reckoned a coat this size could easily keep two people warm. He could have also simply given the whole coat. However, as these overcoats were very expensive, the army agreed to pay half of it. You can’t give away what is not yours to give! Saint Martin died in 398, not in his monastery (just outside of Tours, France), but in Candes, a small place in his bishopric. His grave is located in Tours.



A Bas-Relief of Saint Martin of Tours Carved in Wood | Bas-relief carving | The City of Zaltbommel | Bas-relief carving | Bas-Relief in wood
A Bas-Relief of Saint Martin of Tours Carved in Wood
 Bas-relief carving

This small bas-relief was carved in mahogany wood. The relief has a depth of 8mm and the panel will be integrated into a wooden mantelpiece, alongside two other panels, that represent the coat of arms of the town of Zaltbommel (NL); an old version of 1816 and a more recent rendition from 2001. (The dimensions of this miniature carving are 12x8 cm)
The mantelpiece is made out of pitch pine. These heraldic panels will be tastefully integrated into this mantelpiece, after which it will painted in a light color (probably off-white). Only the center panel with the bas-relief of Saint Martin will retain its original mahogany wood color (apart from some furniture wax), making it a real eye-catcher!
The customer, a Zaltbommel resident (NL), choose this particular bas-relief because Saint Martin is the patron saint of the Zaltbommel basilica (Dutch: Grote of St. Maartenskerk). This large basilica, located in the center of Zaltbommel, has a three-aisled nave and a one-aisled choir. Construction started around 1450 and the building was completed in 1500.

The City of Zaltbommel coat of arms in wood

The City of Zaltbommel (NL) coat of arms in wood



This miniature low-relief panel clearly depicts Saint Martin of Tours, sword in hand, cutting of a piece of his coat to give to the beggar. (I couldn’t resist to attach a purse to his belt.)
I also carved the coat of arms of Zaltbommel on his shield.
(Dimensions: 15x15 cm; depth relief: 8mm)

Translation Koen Verhees

A Bas-Relief of Saint Martin of Tours Carved in Wood | Bas-relief carving | The City of Zaltbommel | Bas-relief carving | Bas-Relief in wood
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Tuesday, 6 August 2013

The Castle of GAASBEEK | The Neo-Gothik and Renaissance style | Neo-style Interiors and Architectural Carving | A Belgian Castle

 
Main entrance,  Castle of Gaasbeek


The Castle of Gaasbeek, Belgium

Visiting Museums and Castles is Probably the main source of inspiration for the Ornamental Woodcarver.
These are places where the craftsman gets his ideas, he is looking for new challenges and always new unexpected surprises, and even after 25 years still feels something new to learn.


E
xploring and studying ,looking at problems and how your colleagues 300 years ago solved them, their knowledge of  tasteful proportions used in the interior decoration and their knowledge of carving techniques.




Historical background

Gaasbeek Castle is located just outside Brussels amidst the gently rolling hills of the Pajottenland. The medieval castle had an eventful past and evolved from a strategic stronghold into a spacious country house. One if its most famous owners was the Count of Egmond. The current building was redesigned in Romantic style at the end of the 19th century thanks to the eccentric Marquise Arconati Visconti .
She decorated the castle as a museum to house her vast art collection and played it like a historical theatre setting. The dream castle which was created at the time is still a bit of a time machine. You can wander through historicising interiors and discover tapestries, paintings, furniture, sculptures and other valuable objects.



 
































 
































More about the building

The first fortified stronghold was constructed in the mid-13th century to protect Brabant against invasions from Flanders and Hainault, but it was destroyed in 1388. The reconstruction, a few external walls of which can still be seen, took two centuries. During the first quarter of the 17th century, Renaat van Renesse ordered the construction of a French garden, a baroque pavilion and a chapel in the grounds. 
In 1695 a wing of the castle was shot to pieces by Louis XIV's troops. From 1887 to 1897 the castle was thoroughly restored in Romantic revival style and has survived in this form to the present day. Marquise Arconati Visconti employed the architect Charle Albert for the reconstruction work. This is how the current dream castle came into being. Today, it is, with reason, referred to as the 'Pierrefonds of Flanders'. 
The building and its historicising interiors together form an exceptional example of how different styles were conceived at the time; the interior was entirely redesigned into a meticulously planned Gesamtkunstwerk. The interiors offer a sampling of architectural revivals, from Gothic Revival, to Renaissance Revival to Rococo Revival.
































In 1921, the last owner of the castle grounds, Marquise Arconati Visconti bequeathed the estate with the castle and its entire contents to the Belgian state. Three years later the castle was opened to the public as a museum, as laid down by will. During the 1980 state reform the castle grounds were transferred to the Flemish Community.









Art treasures
The collection contains the historic household effects as bequeathed by Marquise Arconati Visconti. The heart of the collection dates back to the Scockaert de Tirimont family and remained in the family by inheritance. However, most of the collection was purchased by the Marquise who intended to turn the castle into a museum of the Renaissance. 
The pieces she obtained therefore date mainly from the fifteenth and sixteenth centuries.
The collection consists of about 1,500 objects. Apart from paintings and sculptures it includes tapestries, furniture, ceramics, silversmith's art 





 

 

 

 

 

 

 

 

 

 

 

 

The Neo Renaissance Style

 

 

Visiting

Opening times and prices

Opening hours

The castle is open from 31 March 2013 through 3 November 2013, every day except Mondays from 10 a.m. to 6 p.m. (last admission at 5 p.m.). Open on public holidays!

Admission fees

Standard: € 8
Visits to the castle take place with an audio-guide and under the supervision of a member of our museum staff. Castle visits thus take place in group. The visit takes about 1 hour.

Website: http://www.kasteelvangaasbeek.be






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