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Showing posts with label 'aachen-Liege Style Furniture'. Show all posts
Showing posts with label 'aachen-Liege Style Furniture'. Show all posts

Friday, 4 October 2019

With a number of students woodcarving on educational trip in Liège | D'Ansembourg Museum in Liège | Liège style carvings and ornaments

With a number of students ornamental woodcarving
on an educational trip in the city of Liège, Belgium.

With a number of students woodcarving on educational trip in Liège | 

D'Ansembourg Museum in Liège


June 2018

On a beautiful Saturday afternoon in June (2018) I had planned a short visit to the city of Liège (Belgium) with a number of students in ornamental woodcarving.  The fact is that on Saturday morning I teach the woodcutting course in the buildings of Syntra in Tongeren. So these trips can be very interesting and instructive for the student.

I try my very best to teach my students the delicacy of the Liège style and ornamentation. The city of Liège is about 20 minutes away from Tongeren. It is a city where you can easily spend a few days. Liège is historically important and is a city with a great variety of buildings and culture. A visit to the Museum d'Ansembourg was on the program.
This 18th-century mansion, built in the Liège style, is dedicated to 18th-century decorative arts and gives the visitor a good idea of the sophisticated lifestyle of the time. The museum has a wonderful collection of furniture from Liège, including refined carvings and inlays. All rooms are equipped with carpets and 18th-century Liège furniture from all sorts of stylistic periods. Some rooms have Cordoban leather wall coverings and Venetian-style glass chandeliers.


With a number of students, woodcarving on an educational trip in Liège |
D'Ansembourg Museum in Liège, Belgium




With a number of students, woodcarving on an educational trip in Liège |
D'Ansembourg Museum in Liège, Belgium

D'Ansembourg Museum | Liège style carvings
Liège garde-robe cabinet



D'Ansembourg Museum | Liège carvings, ornaments
Liège display cabinet

D'Ansembourg Museum in Liège |  
Liège style carvings and ornaments

With a number of students, woodcutting on an educational trip in Liège, Belgium. |
D'Ansembourg Museum, courtyard


Heraldic coat of arms in stone |
d'Ansembourg Museum in Liège

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In the museum café of Musée Curtius in Liège (next to the d'Ansembourg Museum) we had to recover from all the beauty of the D'Ansembourg Museum and in the afternoon we had planned a short walk through the city of Liège, specifically Rue Hors-Chateau region.
A visit to the Montagne des Bueren, Impasse des Ursulines and the gardens of Liège were on the program.

This pleasant Saturday afternoon ended in the Italian restaurant I Giardini in the centre of Liège. The price quality is still excellent and unchanged since I first came here for dinner in 1987.

Montagne des Bueren in Liège

Impasse des Ursulines


gardens of Liège

 Italian restaurant I Giardini in the centre of Liège



Sunday, 2 April 2017

THE LIEGE STYLE WARDROBE | 18th Century Liège Style Furniture | Linen Closet - Liège Style Cloth Cabinet

Patrick Damiaens | Liège style furniture

THE LIEGE STYLE WARDROBE 
 18th Century Liège Style Furniture 


The Liège style wardrobe or linen closet is a particularly popular type of period furniture. At the time, in the 18th century, they were in high demand due to their functionality and usability. As a result many of them were manufactured. Even though their quality is not always of a very high standard, you often run into these types of furniture at antique fairs and at local antique dealers.

Composition of the Closet
The general features of a Liège style wardrobe remained unchanged throughout the 18th century. Essentially, this type of linen closet is composed of three main compartments: the plinth or base, the midsection containing the doors and the pilaster, and, lastly, the top or “crown”. The construction is always solid, i.e. it is manufactured in high quality quarter-sawn oak wood, and all the different pieces of wood are held together by dovetail and mortise and tenon joints.


It is an “honest” piece of furniture, meaning that everything you see is real.
On average the Liège style wardrobe has a height of 2.3 meters. It is roughly 1.8 metres wide and has a depth of 0.7 metres. As mentioned earlier, they were in high demand, particularly appreciated for their practicality. An interesting feature, for instance, is the ability to dismount or dismantle the furniture into different modules. In other words, this linen closet can be easily taken apart if necessary. The separate modules or parts may be (re)assembled by making use of pins and pegs. Unfortunately, most of the time the original lay out of the wooden interior has disappeared.
Unique pieces of woodturning or nodes were attached to the upper cross beams at the back side and/or on the doors of the furniture piece, and were used to hang clothing on. Sometimes drawers were present at the bottom of the wardrobe.
The front side of this particular cloth cabinet seldom has a contoured profile (i.e. round, curved, bent, or hollowed). It is almost always flat or planar.

THE LIEGE STYLE WARDROBE


The Plinth or Base
The base of the cabinet may be styled in various different ways, with a cut-out plinth or with ball -or pear-shaped feet. In the 18th century the legs were often drenched in tar to avoid moisture from the floor from seeping into the cabinet. Typical for the Maastricht (NL) region was the so-called “claw” foot. Specifically, these furniture feet resemble a lion’s paw or the claw of a bird of prey (claw-and-ball foot). The furniture feet were always positioned in line with the posts and the pilaster, meaning that there were a total of three feet; two on each side and one in the middle.   



The Doors
The mullion or pilaster is located between the two doors and often houses the lock mechanism. Fixed pilasters are rarer than the ones that turn together with the right door. The lock is then located in the two door stiles. The most prevalent Liège style wardrobe generally consists of two or three doors, while types with four or five doors also exist, albeit in very small numbers.
The construction of the doors is captured in a traditional frame of rails, intermediate rails and stiles, finished with an elegantly profiled cornice. The most commonplace door composition is the one with two panels (proportion: 1/3 – 2/3). The doors are equipped with brass hinges. Original 18th century hinges were made of metal and covered with a thin layer of brass.
As indicated earlier, the front side of this cloth cabinet rarely has a contoured profile. It is almost always flat or planar. A rare but beautiful example of a Liège style wardrobe with a contoured profile can be found in the Cinquantenaire Museum (Dutch: Jubelpark Museum) in Brussels (B) (see photograph).

THE LIEGE STYLE WARDROBE


The Stiles
Almost all Liège style wardrobes have corner posts (stiles) which have been placed in a 45 degree angle. They often occur in planar (flat) or contoured (curved; i.e. convex) forms. Hollow (i.e. concave) corner posts or a combination of convex and concave posts also exist but are more infrequent. A nice example of this particular type of wardrobe can be found in the d’Ansembourg Museum in Liège.
Protruding corner posts truly give added value to the cornice, turning it into a real eye-catcher. However, most of the time the Liège style wardrobes are fitted with caved in or inward-facing corner stiles (see photograph).

The Top or Crown
The top or crown of a Liège style wardrobe is usually constructed in a horizontal fashion, although I am also familiar with a couple of masterpieces which have a curved crowns. The cornice is truly the eye-catcher of this cloth cabinet, with beneath it a frieze of approximately 12 cm in height, followed by an astragal moulding profile.
The frieze is abundantly decorated with style-specific ornaments. The cornice is often overhanging (i.e. it sticks out) and is nicely profiled, albeit less “dominant” than is the case with the Namur style wardrobe.
Sometimes the overhanging part of the cornice is cut out in a “Lambrequin” motif and adorned with style-specific ornaments. A nice example can be found in the d’Ansembourg Museum in Liège (see photograph).
The Liège style wardrobe exists in every Liège style period, always with its specific recognizable ornaments and compositions.

18th Century Liège Style Furniture 



Woodcarving and ornaments
The 18th century joiners or cabinet-makers operating in and around Liège successfully managed to skilfully integrate various decorations, compositions and ornaments, typical for of the French Louis XIV, Regency and Louis XV and XVI, into their own furniture. Fortunately, they did not attempt to compete with their French counterparts – for instance with the well-known and expensive cabinet-makers Boulle and Riesener – despite their extraordinary technical skills and competencies.

As previously mentioned, Liège style furniture is an “honest” type of furniture, meaning that everything you see is real. All the ornaments and embellishments are carved out of solid wood/mass, i.e. none of the wood carving has been glued or applied to the cabinet.

Translation KOEN VERHEES



18th Century Liège Style Furniture 


https://www.patrickdamiaens.info

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Thursday, 28 November 2013

LIÈGE STYLE FURNITURE | Pictures and images of LIÈGE style furniture | A book about Belgian Furniture | 18e Century Style Furniture



The Don Bosco Institute, Liège


A few months ago I was invited to pay a visit to my alma mater, the Don Bosco Institute in Liège, where I received my training as an ornamental woodcarver (between 1986 and 1989). Last year, the Don Bosco Institute had namely shut down the woodcarving department and I was asked if I had any interest in taking over some of the educational material. This way, I was able to safeguard some remnants of this prestigious department. 


Among the remnants, I found a small batch of so called “recueils” (a book or bundle of material) with unique illustrations, compiled in 1991, by the printing department of this school. These unused recueils, hidden away in some closet since 1991, are the subject of the day.

Le Mobilier au Pays de Liège


Recueil,  Le mobilier au Pays de Liège

'The furniture in the land of Liège' 


This bundle or “recueil” talks about the Liège art of furniture design. A “receuil” is a thematic collection of illustrations, in this case, depictions of Liège furniture, and is printed on large single pages (40 x 29 cm) made of heavy quality paper.

The “recueil” was compiled by F. Drugmant, the woodcarving teacher of the Don Bosco Institute at that time. Professor Drugmant was not only a woodcarver, but also a connaisseur of Liège furniture, proven by this amazing recueil, which was used by all of the later teachers, who apparently never felt the need to update his work or publish their own work. 


It is safe to say that this book of reference with detailed illustrations of Liège furniture was nothing less than a bible and important guide for those who took woodcarving classes. Unfortunately, the book of reference was only available for purchase in the woodcarving department and was never sold in bookstores.


A book with pictures of Liège style furniture


Liège stylefurniture of the XVIIIth Century


I myself have been in possession of this handbook since 1986, ever since I was a woodcarving student, following this unique course at the Don Bosco Institute. This “recueil” was published in 1984, with a second edition in 1991, to which a small number of pages was added. The dimensions of this book are 40cm x 29cm, meaning that the book is exceptionally large. It counts 134 single pages. These are all black and white illustrations of the highest quality and depict all types of Liège furniture, including close-ups.


I don’t have my “recueil” in front of me on a daily basis, but several times a year it serves as a source of inspiration; sometimes to closely observe the construction of a closet and even more often to refresh my knowledge of certain Liège style periods, hence my “bold” statement that this is quite an exceptional book of reference.


Should you be interested in this little piece of Belgian history, I still have a number of copies available for true enthusiasts.

Closeup photos of Liege Style sculpture and ornaments


 More info :


Sunday, 21 October 2012

THE RED HOUSE IN MONSCHAU | CARVED STAIRCASE IN OAK | 18TH CENTURY INTERIORS | ROCOCO INTERIORS



The Red House in Monschau
Patrick Damiaens
 Ornamental woodcarver

The RED HOUSE IN MONSCHAU (Germany)











The Red House was erected in the 1752 by Johann Heinrich Scheibler, clothmaker and merchant, as his residence and business domicile. Furnished entirely in Rococo, Louis XVI and Empire period styles, it reflects the splendor of upper middle class living embodied in an ensemble of rare unity.

Exquisite linen wallpaper in the study, emblazoned tableware on the dining room table, a kitchen replete with shining brass and copper kettles, salons boasting Aachen-Liège style bureaus, glass cabinets and comfortable lounge suites, a banquet hall adorned with valuable Gobelin tapestries, and bedrooms with cradles and washbowls take the visitor straight back into the 18th century. 

 


Idyllic Monschau on the river Rur





Entrance of 'The Red House of Monschau'

One world-famous feature of this building is the self-supporting oakwood spiral staircase extending over three floors and embellished with 21 small putto scenes depicting the various stages of clothmaking. In the old office rooms, two authentic cloth sample books comprising a total of 6,000 draft designs in various decors testify to the diversity and high quality of Scheibler's products, which were marketed throughout Europe in his day.




Carved staircase parts


Rococo style Carved staircase


Nowadays the Red House is a museum which visitors may view on guided tours. It is not only the sole remaining representative building belonging to a cloth manufacturer in the old town centre of Monschau, but also one of the most splendid buildings of them all. 
 The little town on the River Rur with its narrow streets and half-timbered houses blossomed in the 18th century. Here workers produced precious woollen material which was exported to countries as far away as Turkey and Russia. 



During the peak years there were around 4,000 to 6,000 spinners and weavers in the Eifel and the region around Limburg, all working at home for Scheibler´s company. In this way they were able to eke out a little extra to supplement their meagre farming income.

Interior of The Red House, Monschau

When mechanical production began to take over at the start of the 19th century, it attracted waves of people into the town in search of paid work. But the poor road communications and the difficulty firms experienced in expanding their businesses in the narrow Rur valley resulted in the cloth industry gradually moving away from the area. 


Now the Red House, more than anything else, stands as a reminded of the splendid period of textile production in Monschau.


Stiftung Scheibler-Museum
Rotes Haus Monschau
Laufenstr. 10
52156 Monschau
Phone: 02472-5071
Fax: 02472-9877604
 Rotes-Haus@t-online.de

Opening hours: Good Friday - November 30 Tuesdays - Sunday Admission: every hour on the hour 10:00 and 11:00 a.m. 2:00, 3:00 and 4:00 p.m.


Admission charge: adults: € 3.00, students/children: free, school classes with guide per person: € 2,00


Information : Monschau Tourist information. Pictures of the interiors, Patrick Damiaens

https://www.patrickdamiaens.info