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| A overdoor ornament, a supraporte |
A overdoor ornament carved
in cherrywood
A blogentry from this site:
In
this blog item I will show you several stages of the carving process for an
overdoor (supraporte in Latin) with the help of some pictures. An overdoor is a
decorative piece (a painting, bas-relief or in this case a carved panel) placed
above a door and can also be incorporated within the cornice of a door frame,
The
assignment
The
assignment in this case entailed two overdoors in cherry wood, which were designed
and created in the spring of 2016 for a client in Texas (US)
The
preconditions
The
client had a number of personal wishes, which he wanted to see incorporated in
the overdoor carved from cherry wood. These decorations would become a part of
the already existing wainscoting (or paneling), which was also made of cherry
wood.
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| A carved sopraporte |
The
design
The
eye-catcher is the oval cartouche placed at the center, depicting a cross with
an open bible on top. On the left page, we see the letter Alpha and on the
right the letter Omega. Alpha and Omega are the first and last letters of the
classic (Ionic) Greek alphabet. For Christians, the two letters together
symbolize God’s omnipotence.
On
the left-hand side, we see a number of arrows come out from under the cartouche
and on the right-hand side we notice a torch. All these elements were part of
the personal wishes of the client. The whole piece is tied together by a bow, a
ribbon and some foliage. This elongated trophy in cherry wood has a maximum
thickness of 45mm. This type of wood is extremely hard and therefore quite
difficult to carve
History
A supraporte or overdoor (Latin: supra=over; porta=door) is a decoration applied over a door or over a portal.
A supraporte or overdoor (Latin: supra=over; porta=door) is a decoration applied over a door or over a portal.
The term “decoration” is interpreted on a broad way. The decorations can be a painting, a fresco painted on the wall, a sculpture or a carved or plastered relief.
Sometimes the painting is made in “grisaille” style. That is, the 3D picture is in one color (black or brown) in different shades and is imitating sculptures in stone. A relief work, embossment, mostly to be found in the Rococo cartouche at the “supraporte”.
Embossment may also be found integrated with the lintel of the door frame.
A supraporte in the form of a flat triangle is called tympanum.
A supraporte could be found –taking into consideration the height of the ceiling- in a horizontal or in a vertical position. For example, the overdoor of an exterior door or portal can even reach to the roof.
A supraporte for an inside door is not only adapted to the height of the ceiling, but can incorporate work that also represents the origin of the owner of the respective room or the building in which it is located.
In the old times it was extremely important to show the social position of the owner, and the supraporte was a good way to show it.
The (self) glorification of the owner/resident could show his/her monogram or the family coat of arms, being the central role in the entire composition of the ornaments of the supraporte.
In de Palace of Versailles you could find several rooms that have the crossed L of Louis XIV or the three lilies of France, a glorification of the country and of the king.
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| Custom-made architectural carvings | Patrick Damiaens talks about an OVERDOOR ornament |
The decorations and ornaments of a (wooden) supraporte may be use in a different way. A door trim for a music room (some rich people has it), could be decorated with musical instruments. The same theme can also be incorporated in the over door, design that every visitor could instantly identify the function of the room.
Other government or secular buildings with their own and specific function, demonstrate again their own importance with the use of the supraporte. So the glorification or function will be shown in a central cartouche.
For example, through the use of attributes in a trophy, like “law”, “science”, “army”, the supraporte works as a way to make emphasis and to be the focal point; the visitor will be aware where he is standing.
Worship buildings have –of course- other themes; so there are religious images in bas relief carved, locating or not in an oval cartouche.
But there are also trophies with religious attributes, such as the following: candles, candlesticks, chalices, bibles, censers… which are a central focal point in the composition.
In each style period, from the Renaissance you can find the use of the over door. Usually in castles and residences, and later in major civil houses and government buildings; but always adapted to the mentality and way of decoration and ornaments.
For this reason, the decorations vary from country to country, and have its own characteristics.
Nowadays, it is possible to find a supraporte with a family photo, a religious sign or paintings; unconsciously connecting you to an ancient tradition of over doors. In that case, it is not functional but decorative in nature.
Here are some pictures.
The different stages of process.
A OVERDOOR ORNAMENT
carved in cherry wood.
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| Custom-made architectural carvings | A supraporte ornament |
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| Modelling the supraporte |
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| Carving of the details in the supraporte |
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| Patrick Damiaens | Carving a supraporte ornament |
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| A overdoor ornament in cherrywood | Custom-made architectural carvings |
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| Last detail, leaves and berries on the oval cartouche |
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| https://www.patrickdamiaens.info |
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