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Showing posts with label 'carved staircase in oak'. Show all posts
Showing posts with label 'carved staircase in oak'. Show all posts

Sunday, 1 May 2016

The Red house in Monschau | MONSCHAU | Rococo staircase carved in oak | 18th century interiors and rooms | Carved Wainscoting in oak

The Red House in Monschau


In this blog entry I'll give you a tour of the Red House in Monschau. This small German town located on the outskirts of the Eifel, only a fifteen minutes drive from Eupen . (Eupen is in German-speaking town in Belgium).
The most striking building in this picturesque town is the Red House, a building from the 18th century, an Rococo oak staircase, carved Wainscoting in oak  and sculpted period style furniture in Aachen Rococo style are the highlights of this wonderful Museum.


The Red House is an eloquent testimony of the flowering period of woollen cloth fabrication in Monschau during the 18th century. On the point of confluence of the rivers Rur and Laufenbach the high building neighbouring the protestant Church gives a dominating accent to the architectural lay-out of this small city.

The clothier and merchant Johann Heinrich Scheibler, founder member of the Monschau 'Fine Clothiers' Guild, had it around 1760 as his residence and office; a double building under one big curb roof with two richly sculpted portals crowned by escutcheons with the names: the left 'To the Golden Helmet', the right 'To The Pelican'.
Designed and decorated consecutively in late Rococo, French Louis XVI and Empire style, the Red House is an exquisite showcase of bourgeois living culture in the Eifel mountains between Aachen (Germany) and Liège (Belgium) in the time around 1800.


18th century interiors and rooms  | Red House Monschau

A carved house door


The entrance Hall in the left residential part offers a decorative ensemble of the 1760ies of admirable unity topped by the unsupported upgrowing spiral of the gracious wooden staircase; marble painted walls, crystal chandeliers, gold-framed mirroirs; above a settee the portraits of the first owner J.H. Scheibler and his wife Maria.

You can look through the spiral of the dark oak wooden staircase up to the 3rd floor. On its outside railing 21 reliefs show images of putti illustrating the domestic cloth-manufacture: from the grazing Merino-wool-sheep to the transport of the final cloth bales; on its inner railing other reliefs show allegories of the four seasons , starting with spring, of the day times and the four elements: fire, water, air, earth.



Rococo staircase carved in oak


The Study

The Study opens to the street; it is furnished with a set of writing-table and arm-chairs from the Cologne Pallenberg studio, done after 1900 in the 18th century rococostyle, and has a marble fireplace with castiron plates; an additional stove, formed like an urn, stands in a white tiled niche. But the most remarkable exhibit in this room is a picture tapestry, probably painted by artist of the Düsseldorf Acadamy, imitating a Dutch picture-gallery of Rembrandt's time whitch shows portraits, history paintings, landscapes, animal pieces- all living in illusionistic frames.

The Dining-room

The dining-room, opening to the river Rur, gives an undisturbed impression of the Louis XVI style around 1780; dark-toned oak-wood furnitue decorated with bas-relief carvings in front of a gren ground oil painted flower-tapestry. On the walls framed protraits of members of the Scheibler family in the different styles of their times of origin like they are to be found everywhere in the house.
In the basement below is the kitchen, equipped to provide a richly set table: fire-place, supplemented later on with a cast-iron stove-box, brass kettles, copper tools, hare-roaster and a spindle screw mangle.




The office-rooms

The office-rooms are on the ground floor of the house 'To the Pelican' connected with the residential area. They served the commercial administration of the clothiers home-industry. Several documents of the Monschau cloth manufacture are shown: a book of goods recieved, with color recipes and wool samples, cloth pattern books, of which the most important is the big pattern book of the 'Fine Clothiers Guild', used for the Aachen trade-fair in 1810 under the reign of Emperor Napoleon I. A big Aachen-Liège glass-cupboard in Rococo style shows earthenware with the family emblems of Scheibler-von-Mallinckrodt. In the front-room there is also an elegant horse sleigh with a back coach-box to be seen.




In this part of the house a second, smaller Rococo staircase leads to the upper floors.
Its wooden railing, like that of the big stairs, is decorated with motives of the four seasons and agriculture sumbolizing the diligence of trade embedded in the order and rhythm of nature.

The first floor is recerved in both parts to the family's living and banquet rooms:
In the blue drawing-room: A set of sofa, armchairs and seats around a table, to the left a glass-cupboard in aachen Rococo style with a curved pediment,  to the right a Liège Louis XVI corner glass-cupboard with straight cornice grouped with a bureau opposite the mirrormounted fir-place; on the backwall the big double ^portrait of the founder's son Wilhelm Scheibler and his wife Theresia, born Böcking. On the sidewalls boys portraits of three of their sons.




The following Yellow Room is dominated by an important house item: a stately Aachen linen wardrobe richly decorated with rocailles and crowned by a doublecartouche with the emblems of the Scheibler-Böcking family. Beside a massive French or Dutch baroque table with matching arm-chair; on the walls meteal framed mirrors.

The small cabinet following has a charming Louis XVI furniture ensemble: a two-seated rodgrid-settee and an elegant set of armchairs and table in front of a wainscoting showing emblems of war and music. Above one sees a painting linen tapestry showing one continuous landscape scenery and grotesque motives linked to a sopraporta (a over-door) in the hall inspired by ornament engravings of the 18th century.





Carved Wainscoting in oak



The Banquet room in the house 'To the Pelican' has been used by the family festivities and candlelight concerts. Its window front opening to the river Rur, its stucco ceiling with ornamental roses and the concert harp give it a well-balanced and festive character.
In front one finds the so-called anteroom to the banquet room, furnished as a vestibule or drawing-room with a set of noble Gobelin arm-chairs on a French Aubusson carpet and a rare example of a glass-cupboard with built-in pendulum clock.



On the second floor we find four bedrooms:

To the left the so-called Böcking room with oak furnish-ings in the pastel ambience of wall-surfaces, curtains and a new Nepalese carpet. Above the bed one finds the pastel portraits of the Böckings, the parents of Theresia Scheibler. The evensurfaced wardrobe displays in its gable a central cartouche (the Aachen bean), the low bureau has a Rococo ornament in relief. The two-tiered showcase corner-cupboard with decorative elements of Louis XVI is architecturally divided by means of continuous fillets with vase endings.
At the front we next find the small green bedroom with a broad oak-wooden bed, a cradle and a wardrobe with bas)relief carvings of about 1780; a washing-stand of about 1750 with a silverplated washing-set and a wall-mirror.

In the so-called Rococo bedroom stands a doublebed under pastel portraits from the late 18th cenury. Apart from that we see an Aachen wardrobe in the Rococo style, a baby's chair and toy horse, an embossed brass hot-water bottle and a bidet with flowery china pot.





We enter another era in the splendid Empire Bedroom at the end of our visit. The furniture dates from the late Napoleonic period, or rather the early Prussian eraa after 1815 and comes from the Schaaffhausen-Deichmann family estat at Cologne: it comprises highly polished mahagony veneer with gold bronze fittings. The broad, clothdraped four-poster stands between two pillar consoles; at the side a washing-stand with Chinoiserie washing-set; at the side a seating accomodation with floor mirror. The ensemble is set into the cool blue wall coloration decorated with a continuous handpainted palm leaf border.







The Red House of the Scheibler family was transformed in 1963 into a 'Foundation Scheibler Museum Red House Monschau' by the District Assembly of the Rheinland .

Opening Hours
Tuesdags-Sundays  Closed on Mondays

Entrance fees 
3Euro Adults
2Euro students childern and teenagers

Rotes Haus 
Laufenstraße 10 
52156 Monschau
Telefon: 02472 5071 



Here are some impressions of the Red House in monschau.








The Rococo staircase carved in oak

Rococo staircase carved in oak





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Wednesday, 17 April 2013

CARVED STAIRCASE PARTS | Carved Newel Post | Hand-carved Stair Components

Patrick Damiaens
Ornamental Woodcarver- Architectural Woodcarving

Ornamental carving for a staircase
















The Rococo staircase

In the Rococo style the elegantly crafted balusters were the eye-catcher of the staircase. Thanks to the spiral form of the stairs, the slightly curved bottom of the balusters flow smoothly into the stringer. Most of the time the bottom of the main baluster is formed by an open “rocaille”-motive. These motives or carvings, formed in the shape of a shell, went particularly well together with acanthus leaves and flowers.

Cabinetmakers working in the Rococo style originally had a preference for openly sculptured balusters. However, in today’s implementations of the classic Rococo staircase people often choose for sober banisters manufactured with a turning lathe, not only because it is cheaper but it also leaves a less heavy impression.

Nevertheless, the moderation of banisters is not just something that can be found in modern craftsmanship. The banisters in Louis XIV for example are, in contrast with these in the Rococo style, very strictly styled and sober. With its more moderated approach classicism remade the flaunting Rococo staircase to a more sober but still elegant piece of furniture.

But I stick with it, if one wishes an elegant staircase in the Rococo style (and if one has the space for it), open cravings give your staircase a beautiful an unique look. 

Carved staircase parts

In Belgium, the finest examples of craftsmanship in the Rococo style (± 1750) can be found in the ‘Hotel van den Meersche’ in Ghent and in the town hall of Lier.  

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The phases for making a carved newel

With Rococo style motifs
 "After the French Manner"












1)      A rough version of the sculpture or carving is drawn on the wood with crayon.




 2)      We put down the proper lines and forms of the ornaments on the baluster with a pencil. 




3)      We saw out the baluster.



4)      With a router we prepair the different levels in the wood







5)      The carving can actually begin.


carved staircase parts, detail

 
 Plaster models can be helpful when making individual ornaments. 

Rococo ornament surrounded by shell-like "rocailles", leaves and C-scrolls.

Personal project (in the Netherlands)
The baluster sculptured by myself was not made to fit a new but an existing staircase in a house built in around 1930. Several rooms including the hallway where the staircase is located, needed renovation. With this face lift the owners wanted to give their house a unique character. By providing the existing staircase with classic Rococo woodcarving, the room got a more elaborated look.

It is however very difficult to respect existing situations and to meet the wishes of the costumer at the same time. So it is always a challenge to keep the harmony in a room.


Carved Newel post

Every design and every application of carving  is unique and will never be remade in the exact same way.

https://www.patrickdamiaens.info

http://www.pearlsofcraftsmanship.com
Translation Liesbeth Neyens

Sunday, 21 October 2012

THE RED HOUSE IN MONSCHAU | CARVED STAIRCASE IN OAK | 18TH CENTURY INTERIORS | ROCOCO INTERIORS



The Red House in Monschau
Patrick Damiaens
 Ornamental woodcarver

The RED HOUSE IN MONSCHAU (Germany)











The Red House was erected in the 1752 by Johann Heinrich Scheibler, clothmaker and merchant, as his residence and business domicile. Furnished entirely in Rococo, Louis XVI and Empire period styles, it reflects the splendor of upper middle class living embodied in an ensemble of rare unity.

Exquisite linen wallpaper in the study, emblazoned tableware on the dining room table, a kitchen replete with shining brass and copper kettles, salons boasting Aachen-Liège style bureaus, glass cabinets and comfortable lounge suites, a banquet hall adorned with valuable Gobelin tapestries, and bedrooms with cradles and washbowls take the visitor straight back into the 18th century. 

 


Idyllic Monschau on the river Rur





Entrance of 'The Red House of Monschau'

One world-famous feature of this building is the self-supporting oakwood spiral staircase extending over three floors and embellished with 21 small putto scenes depicting the various stages of clothmaking. In the old office rooms, two authentic cloth sample books comprising a total of 6,000 draft designs in various decors testify to the diversity and high quality of Scheibler's products, which were marketed throughout Europe in his day.




Carved staircase parts


Rococo style Carved staircase


Nowadays the Red House is a museum which visitors may view on guided tours. It is not only the sole remaining representative building belonging to a cloth manufacturer in the old town centre of Monschau, but also one of the most splendid buildings of them all. 
 The little town on the River Rur with its narrow streets and half-timbered houses blossomed in the 18th century. Here workers produced precious woollen material which was exported to countries as far away as Turkey and Russia. 



During the peak years there were around 4,000 to 6,000 spinners and weavers in the Eifel and the region around Limburg, all working at home for Scheibler´s company. In this way they were able to eke out a little extra to supplement their meagre farming income.

Interior of The Red House, Monschau

When mechanical production began to take over at the start of the 19th century, it attracted waves of people into the town in search of paid work. But the poor road communications and the difficulty firms experienced in expanding their businesses in the narrow Rur valley resulted in the cloth industry gradually moving away from the area. 


Now the Red House, more than anything else, stands as a reminded of the splendid period of textile production in Monschau.


Stiftung Scheibler-Museum
Rotes Haus Monschau
Laufenstr. 10
52156 Monschau
Phone: 02472-5071
Fax: 02472-9877604
 Rotes-Haus@t-online.de

Opening hours: Good Friday - November 30 Tuesdays - Sunday Admission: every hour on the hour 10:00 and 11:00 a.m. 2:00, 3:00 and 4:00 p.m.


Admission charge: adults: € 3.00, students/children: free, school classes with guide per person: € 2,00


Information : Monschau Tourist information. Pictures of the interiors, Patrick Damiaens

https://www.patrickdamiaens.info