The
different stages for creating an Liege Style ornament in wood.
1 - The first job consists of making a rough sketch using a
red sketching pencil. The pattern may come from an original model (on condition
that any imperfections in it have been removed) or be a personal creation,
produced in the same spirit as in the 18th century.
2 - The rough sketch is then completely rubbed out. The
exact shape however, which is thickened with a pencil, is still preserved.
Subsequent alterations remain possible at this stage. This phase is very
important (because a poor design automatically means a poor end result).
3 - The correct design is redrawn on tracing paper and at
the same time fixed onto the wood by means of drawing pins. The design is then
transferred onto the wood using tracing paper and a scriber.The pattern can now
be found on the panel.
4 - The ornamentist roughly removes the wood surrounding the
design by means of a router, thus creating a surface suited for
carving.
5 - He removes any rough edges and excess wood from the
surface using a home-made scraper.
6 - The actual carving can now take place. This phase is
called modeling. Many years of study and in-depth experience are of crucial
importance during this phase.
7 - This is the phase where we begin to notice the
importance of appropriately handling the router. During the modeling
stages the original drawing disappears. The pattern on the panel is later
redrawn by means of a marker.
8 - The design is traced correctly. At this stage wood
chisels are used for drawing purposes. One should be careful not to carve into
the surface, leaving the possibility to make some minor alterations when
necessary.
9 - Excess wood surrounding the design is removed.
10 - The surface is now properly finished. Any rough edges
and excess wood are removed with the scraper.
11 - The extension of the ogee, positioned by the
cabinetmaker, is done. It is essential that this be identical to the part fixed
by machine.
12 - This is the most important phase of the pattern.
Ornaments are measured to perfection. A proper understanding of the depth and
relief of the ornament and the ability to estimate the maximum depth of the
ornament are essential, as are routine and experience in handling the material.
The use of plaster models and visual material can be very useful during this
stage.
13 - The panel is finished and can now be returned to the
cabinetmaker in order for it to be treated and incorporated into the intended
piece of furniture.
More
information about wood carvings and ornaments, Liège and Aachen
Style Furniture.
My Website:www.patrickdamiaens.info
My Website:www.patrickdamiaens.info
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