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Thursday, 17 October 2019

RIMSA bureau /clamp /desk lamp 'price-quality' for wood carving studio | Swing /architect /classical RIMSA lamp | RIMSA P. LONGONI

Rimsa lamp |
Best 'price-quality' desk lamp for the woodcarving studio

Classical Rimsa, desk/clamp lamp,

best 'price-quality' for the woodcarving studio


A scissor arm, bureau lamp, architect or desk lamp... (I don't really know the correct name) that can take a beating is very difficult to find nowadays.
I myself have a number of them in my woodcarving workshop, and this for the most varied work.
About 20/30 years ago it was very easy to get this kind of simple design looking lamps. You went to the local electrical shop and always there was a limited choice of desk lamp models in different colors available in the showroom. They were quite resistant and were meant for the room where hardly any visitors came: the children's bedroom or for the student rooms. Because they didn't look really hip at that time, but they didn't have to, all they had to do was do what they wanted, 'bring light into the darkness'. Nowadays these kind of lamps are hip and very popular.

Cheap is an expensive purchase.

Unfortunately, the only desk / scissor lamp currently readily available is a desk lamp from the Swedish interior shop, whose name I do not want to mention in this blog item, I have been buying annually 2 to 3 of these lamps, always the same model.
They are made in such a way with the intention that the item does not have a long life.  After a while she starts to show small defects, parts come loose, is crooked, etc... and is intended to be replaced.


Rimsa
But there is one model of lamp in my studio that I have been using for about 18 years, it is a hinged lamp/desk lamp from the Italian brand Rimsa, founded in 1936.  This lamp has never let me down. It has been made with solid parts and at the critical points and places where a faster aging is possible, it has been very well thought out to guarantee a longer use of the lamp.
And this guarantee that the lamp can be used for a long time is clearly visible on the internet, and this under the name 'vintage'.
When in 2019 I again showed interest in a quality purchase, and this to replace the Swedish cheap ones, I came across some Rimsa vintage lamps on Dutch sites:  60 Euro for a second hand lamp (2019) and I thought 'wow, that's expensive for a second hand lamp!


Rimsa Model 10


Purchase at Schleiper* 18 years ago
(Scheilper is a Belgian chain specialises in the arts, crafts and framing)

The use of the Schleiper website online is very unfriendly (2019), even if you only need information from a branch, for me this was the branch in Hasselt*. (City in Belgium) You always get the same textband with many options and options to hear, department here, possibility there...etc, with a reference to their online site.....  but does not provide a link for a direct telephone contact with the branch itself. You will be sent around in a loop, as it were.
Until I got the idea to leave a message on the FB page of Schleiper with the question 'Please contact me by phone'. And actually... a few hours later I had contact with the store manager in Hasselt. How difficult can it be?!
From the telephone conversation with Schleiper branch manager, where I bought my first copy 18 years ago, they told me that they were no longer selling desk lamps of this Italian brand. What a waste of time: first to try to get in touch and then to be told that they no longer distribute this quality product.
The only place online where I could still find Rimsa lamps was on an Italian sales site - the manufacturer's site (Rimsa) is only informative and shows what they have to offer; the offer is great and very impressive and you will certainly find your choice there. I was interested in the model 10 and possibly 80.
The price of a type 10 is about 125 Euro and the price of a type 80 is 190 Euro. You wouldn't think it's cheap, but if you think that you're buying a super quality lamp here and can still sell it as a vintage lamp 40 to 50 years later, then it's actually not expensive in comparison to the cheap lamps that are meant to be thrown away in the short term!

RIMSA bureau /clamp /desk lamp 'price-quality' for wood carving studio | Swing /architect /classical RIMSA lamp  | RIMSA P. LONGONI
RIMSA, model 80

October 2019
I never buy online so I contacted the company in Italy to ask if there are any distributors or shops in Belgium that offer their products. I got a friendly email back from Sales Manager Francesca Polizzi telling me that they still don't have an online store at the moment, but if I would send them my VAT number by email they could help me out anyway. And I was still able to make a purchase in this way.

(A blog entry originally from my Dutch woodcarving blog, translation by DEEPL Translator)

Catalogue Rimsa

Rimsa classical and new design - desk lamps


Expensive alternative, Jieldé

An alternative to Rimsa are the lamps of the French brand Jieldé: beautiful design and intended to last a lifetime, but they are a very expensive alternative! If you visit the L'école Boulle in Paris (Annuel open doors) you will see these lamps regularly in the studios.
As I said before: they last a lifetime and if you want to sell them in 50 years, you will always find a buyer for them. Even then there are still customers for these table clamp lamps.
A Jieldé lamp easily costs 300 to 400 Euros and sometimes even more.

Jieldé lamp

Atelier Boulle*
(Boulle or l'école Boulle in Paris is a school for traditional art and crafts )

I don't really understand the reason for the management of L'école Boulle in Paris, but a few years ago the very solid Jieldé lamps were replaced and referred to a storage space (??!!)  In February 2016 there were new lamps in the workshop of the woodcarvers department of école Boulle.
New lamps 'made in Belgium' was marked on the lamps, and when I asked the students in 2018 about their experience with these new ones, they were not really enthusiastic. With a small inspection I also had my doubts whether these new models could stand the test of time, they already had defects after 2 years of use. A very impractical lamp for the woodcarver bench in my professional opinion.
So it's a personal consideration, but the Rimsa lamps are an affordable alternative and after 50 years you still have a return and you can still sell them. So buying quality is always better than choosing a cheap product and also not unimportant it is better for the environment.


RIMSA bureau /clamp /desk lamp 'price-quality' for wood carving studio | Swing /architect /classical RIMSA lamp  | RIMSA P. LONGONI
L'école Boulle Paris | The old Jieldé lamps (2015)

RIMSA bureau /clamp /desk lamp 'price-quality' for wood carving studio | Swing /architect /classical RIMSA lamp  | RIMSA P. LONGONI
Boulle Paris | The new lamps in 2018

RIMSA bureau /clamp /desk lamp 'price-quality' for wood carving studio | Swing /architect /classical RIMSA lamp  | RIMSA P. LONGONI
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Friday, 4 October 2019

With a number of students woodcarving on educational trip in Liège | D'Ansembourg Museum in Liège | Liège style carvings and ornaments

With a number of students ornamental woodcarving
on an educational trip in the city of Liège, Belgium.

With a number of students woodcarving on educational trip in Liège | 

D'Ansembourg Museum in Liège


June 2018

On a beautiful Saturday afternoon in June (2018) I had planned a short visit to the city of Liège (Belgium) with a number of students in ornamental woodcarving.  The fact is that on Saturday morning I teach the woodcutting course in the buildings of Syntra in Tongeren. So these trips can be very interesting and instructive for the student.

I try my very best to teach my students the delicacy of the Liège style and ornamentation. The city of Liège is about 20 minutes away from Tongeren. It is a city where you can easily spend a few days. Liège is historically important and is a city with a great variety of buildings and culture. A visit to the Museum d'Ansembourg was on the program.
This 18th-century mansion, built in the Liège style, is dedicated to 18th-century decorative arts and gives the visitor a good idea of the sophisticated lifestyle of the time. The museum has a wonderful collection of furniture from Liège, including refined carvings and inlays. All rooms are equipped with carpets and 18th-century Liège furniture from all sorts of stylistic periods. Some rooms have Cordoban leather wall coverings and Venetian-style glass chandeliers.


With a number of students, woodcarving on an educational trip in Liège |
D'Ansembourg Museum in Liège, Belgium




With a number of students, woodcarving on an educational trip in Liège |
D'Ansembourg Museum in Liège, Belgium

D'Ansembourg Museum | Liège style carvings
Liège garde-robe cabinet



D'Ansembourg Museum | Liège carvings, ornaments
Liège display cabinet

D'Ansembourg Museum in Liège |  
Liège style carvings and ornaments

With a number of students, woodcutting on an educational trip in Liège, Belgium. |
D'Ansembourg Museum, courtyard


Heraldic coat of arms in stone |
d'Ansembourg Museum in Liège

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In the museum café of Musée Curtius in Liège (next to the d'Ansembourg Museum) we had to recover from all the beauty of the D'Ansembourg Museum and in the afternoon we had planned a short walk through the city of Liège, specifically Rue Hors-Chateau region.
A visit to the Montagne des Bueren, Impasse des Ursulines and the gardens of Liège were on the program.

This pleasant Saturday afternoon ended in the Italian restaurant I Giardini in the centre of Liège. The price quality is still excellent and unchanged since I first came here for dinner in 1987.

Montagne des Bueren in Liège

Impasse des Ursulines


gardens of Liège

 Italian restaurant I Giardini in the centre of Liège



Tuesday, 1 October 2019

Royal monogram of Louis XIV | Decoration style Versailles | Monogram as a symbol in the ornamentation | The Sun King

Royal monogram of Louis XIV | Decoration style Versailles


The Royal monogram of King Louis XIV, the L in mirror writing interwoven.
A personal monogram of the Sun King
 Louis XIV, King of France.

A blog entry from : https://www.patrickdamiaens.info

When you enter the French royal castles, you are confronted with it everywhere. The visitor can't miss it, and that's what was intended: a monogram shows you that you are in a royal residence.

The monogram as an ornament

A monogram is a figure that consists of two or more letters and/or other graphic signs to create a kind of logo or recognizable symbol. Where a logo always looks the same, a monogram can always appear in a different form as long as the letters or signs remain recognisable.

The often crowned monograms of monarchs are widely used. Their monograms were depicted on stamps, coins, linen, utensils and knights' orders. Known are the monograms of the English kings who adorn many lampposts in London and the post boxes throughout Great Britain.
In the case of kings it is customary to include an R for REX or REGINA for queens (Latin: king or queen) in the monogram.
The I in a royal monogram stands for Imperator of Imperatrix (Latin: emperor or empress), For a noble monogram the D for Dux (Latin: duke), and the C for Comes (Latin: count).


Versailles

Everywhere the decor of Versailles combines the royal emblems: the double L, the royal crown, the sceptre and the hand of justice.
This monogram can be found on the panelling and doors of the king's apartments as well as on gates and forged fencing.
The monogram consists of the first letter of a name, doubled and interwoven in a single character, as here the letter L of Louis (Louis). It is assumed that the monogram is a royal signature.



I haven't published an English-language blog entries in a while. It just costs me too much money to have my dutch blogs translated into english. This free info blog is pure fun for me but if it costs me a lot of money the enthusiasm from my part is far away.
But in the meantime I have found a free site online that does pretty good translations. So here is my first translation of this blog about The Royal monogram of Louis XIV. Hopefully the traduction will be easy to read.

Translated with www.DeepL.com/Translator




Here are some examples of the double L in the decoration. 
The pictures are mainly taken 
in the castles of Versailles and Fontainebleau.

Versailles, Salon of War |
Monogram of the Sun King

Monogram of the Sun King |
Louis XIV, The Sun King

Versailles, Vestibule of the chapel on the 1st floor |
Monogram of the Sun King

Carved paneling in the Palace of Versailles |
Gilded ornaments | Versailles ornamentation

In the gardens of Versailles |
Monogram Louis XIV carved on a door, a supraporte ornament

Versailles | Monogram Louis XIV |
Monogram of the Sun King

A carved overdoor ornament | Castle of Versailles
Monogram of Louis XIV

Versailles | The symbol of Louis XIV immortalized in a sculpture

Palace of Versailles |
Monogram of the Sun King

Fontainebleau Castle |
Royal monogram of Louis XIV in palm leaf form

Part of the balustrade in the Royal Chapel
| Fontainebleau Castle | Monogram of the Sun King

Forged fence with the symbol of Louis XIV |
Monogram of the Sun King
Le Grand Trianon | Monogram as a symbol in the ornamentation |
The Sun King


The sun as an emblem.

Another typical ornament of Louis the XIV that is often associated in ornamental compositions and in the decoration of his castles is the emblem of the sun. The God Apollo is surrounded by sunbeams. The sun was associated with Apollo, god of peace and art, and the sun was also the heavenly body that gave life to all things, everything arranged as it rose and set.

Like Apollo, the warrior-king Louis XIV brought peace, was a patron of the arts and spent his generosity. The regularity of his working habits and his ritual increases and retirements (scaffolding and couchee) were another point of solar comparison.

In Versailles, decorations combine images and attributes of Apollo (laurel, winch, tripod) with the portraits and emblems of the king (the solar motif, the sceptre and the hand of justice that embellish this door).


The young Louis XIV loved to dance and play in different court performances. Once he had to play the role of the sun in the Ballet de la Nuit. After this performance, he decided to choose the sun as his symbol. To this day he is known as the Sun King (Le Roi Soleil).

The fence of the Castle of Versailles |
Sunbeams, the God Apollo and the monogram of Louis XIV

The sun as an emblem | The Sun King

Marble vase in the gardens of the Castle of the Sun King |
Castle of Versailles


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Tuesday, 10 April 2018

Wooden carved billboard for a Company | A logo carved in wood | Costumier Maison D’Longueville | Lebeau-Courally Logo.



Wooden billboard for a company 
 To carve a logo in wood.

Advertising board in oak.

It doesn't happen often that I have the opportunity to carve a logo or a billboard for a company or a store.

I have already made small company logos in wood in the past, but the combination of several company logos with a text on one large board was a special challenge because of its dimensions. The whole board was made from one single panel.

The manager of the Costumier Maison D’Longueville and VIP Boutique and his architect had specific wishes for this sign that had to be placed outside.

Because it will be exposed to all weather conditions and should also have the classic characteristics of the building, high quality oak wood was chosen for this execution.

Carving a logo in wood | Mont Blanc luxury pens.

The design for the 1-meter high board with a width of 80 cm was sent to me by the client (*). The wood technical aspect required for the execution were -of course- determined by myself.

The large frame that forms the edge of the board was completely carved out of the thick solid oak panel and not mounted on it. This prevents the use of glue and nails on the frame, that will form openings after a while, a natural property of wood, resulting in seams and damages due to weather conditions.

The oak board on the façade serves as a kind of direction indicator. On one hand, it shows the way to the entrance of the Customier Maison D’Longueville and on the other hand, it indicates the direction to the VIP Boutique on the first floor of the building. This exclusive building, run by Kristof d’Hondt and his team, combines the Customier clothing store on the ground floor with a range of customized products from Mont Blanc and Lebeau-Courally brands, housed in the upper level. Appropriately, in addition to the emblem and the name of the Maison D’Longueville, the logos of these two brands were also sculpted in the oak.

(*) Designs and models for the assignments can be designed by me, with or without consultation with the client or fully implemented. And this according to the model of the latter. For any (wood) technical and/or aesthetic obstacles that may occur during the implementation and / or improvements to the design, there are always some consults with the customer.

Translation: Lis Alvarado van den Enden


Making-carving a logo in wood / Lebeau Courally


Advertising panel carved in wood | Carving a logo in wood
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