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Showing posts with label 'Liège style furniture'. Show all posts
Showing posts with label 'Liège style furniture'. Show all posts

Saturday, 15 March 2025

THE JUBELPARK MUSEUM in Brussels | Department of European Decorative Arts | Collection of Liège Furniture | Liège Furniture

 European decorative arts department

The Liège style FURNITURE Collection 

of the Cinquantenaire Museum in Brussels

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture


In the month of October 2024, 12 new rooms opened at the Cinquantenaire Museum located in Brussels (Belgium), rooms that were thoroughly renovated after years of closure. For those unfamiliar with the Cinquantenaire Museum ( Also called Jubelpark Museum) and it is also called the Museum of Art & History, located right next to Autoworld Museum and the War Museum. 

The immense Museum has an extensive and impressive collection of Liège & Aachen furniture in its collection. This collection is a huge source of inspiration for many. 

My first visit must have been about 50 years ago, I can still hear my father saying, Museums with the name ‘Royal’ in front of them are always free. Since then, I have been back many times.  The artworks on display are only a small part of the collection, most of it just sitting in storage.

Especially for you, I dived into my private photo collection and searched for some footage, photos I took over the years, to show the how this collection/set-up looked before the rearrangement. 

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture
THE JUBELPARK MUSEUM | Department of European Decorative Arts
| Liège Furniture Collection | Liège Furniture

I have delved into my private photo collection especially for you and searched for some footage, photos I took over the years, to show the how this collection / arrangement looked before the rearrangement. 

According to the Brussels Museum, content choices were made of the artworks in the 18th-century galleries. Some artworks were rearranged others removed or even taken out of the reserves.

But I know from experience that Museums are showing less and less and letting more and more artworks end up in storage rooms/reserves. 

I refer to the Design Museum in Ghent (Also in Belgium), where all the beautiful 17&18th-century furniture ended up in storage and these rooms are now full of contemporary design. 

Apparently, 17&18th-century design is no longer hip enough.


So I will urgently have to travel to Brussels to go and see what the line-up is like now, and hope for an abundance of Liège furniture.


So in this blog topic, only a few photo from before the renovation.

Happy viewing.

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture




THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture

THE JUBELPARKMUSEUM | Department of European Decorative Arts | Liège Furniture Collection | Liège Furniture
https://www.patrickdamiaens.info


Friday, 4 October 2019

With a number of students woodcarving on educational trip in Liège | D'Ansembourg Museum in Liège | Liège style carvings and ornaments

With a number of students ornamental woodcarving
on an educational trip in the city of Liège, Belgium.

With a number of students woodcarving on educational trip in Liège | 

D'Ansembourg Museum in Liège


June 2018

On a beautiful Saturday afternoon in June (2018) I had planned a short visit to the city of Liège (Belgium) with a number of students in ornamental woodcarving.  The fact is that on Saturday morning I teach the woodcutting course in the buildings of Syntra in Tongeren. So these trips can be very interesting and instructive for the student.

I try my very best to teach my students the delicacy of the Liège style and ornamentation. The city of Liège is about 20 minutes away from Tongeren. It is a city where you can easily spend a few days. Liège is historically important and is a city with a great variety of buildings and culture. A visit to the Museum d'Ansembourg was on the program.
This 18th-century mansion, built in the Liège style, is dedicated to 18th-century decorative arts and gives the visitor a good idea of the sophisticated lifestyle of the time. The museum has a wonderful collection of furniture from Liège, including refined carvings and inlays. All rooms are equipped with carpets and 18th-century Liège furniture from all sorts of stylistic periods. Some rooms have Cordoban leather wall coverings and Venetian-style glass chandeliers.


With a number of students, woodcarving on an educational trip in Liège |
D'Ansembourg Museum in Liège, Belgium




With a number of students, woodcarving on an educational trip in Liège |
D'Ansembourg Museum in Liège, Belgium

D'Ansembourg Museum | Liège style carvings
Liège garde-robe cabinet



D'Ansembourg Museum | Liège carvings, ornaments
Liège display cabinet

D'Ansembourg Museum in Liège |  
Liège style carvings and ornaments

With a number of students, woodcutting on an educational trip in Liège, Belgium. |
D'Ansembourg Museum, courtyard


Heraldic coat of arms in stone |
d'Ansembourg Museum in Liège

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In the museum café of Musée Curtius in Liège (next to the d'Ansembourg Museum) we had to recover from all the beauty of the D'Ansembourg Museum and in the afternoon we had planned a short walk through the city of Liège, specifically Rue Hors-Chateau region.
A visit to the Montagne des Bueren, Impasse des Ursulines and the gardens of Liège were on the program.

This pleasant Saturday afternoon ended in the Italian restaurant I Giardini in the centre of Liège. The price quality is still excellent and unchanged since I first came here for dinner in 1987.

Montagne des Bueren in Liège

Impasse des Ursulines


gardens of Liège

 Italian restaurant I Giardini in the centre of Liège



Sunday, 2 April 2017

THE LIEGE STYLE WARDROBE | 18th Century Liège Style Furniture | Linen Closet - Liège Style Cloth Cabinet

Patrick Damiaens | Liège style furniture

THE LIEGE STYLE WARDROBE 
 18th Century Liège Style Furniture 


The Liège style wardrobe or linen closet is a particularly popular type of period furniture. At the time, in the 18th century, they were in high demand due to their functionality and usability. As a result many of them were manufactured. Even though their quality is not always of a very high standard, you often run into these types of furniture at antique fairs and at local antique dealers.

Composition of the Closet
The general features of a Liège style wardrobe remained unchanged throughout the 18th century. Essentially, this type of linen closet is composed of three main compartments: the plinth or base, the midsection containing the doors and the pilaster, and, lastly, the top or “crown”. The construction is always solid, i.e. it is manufactured in high quality quarter-sawn oak wood, and all the different pieces of wood are held together by dovetail and mortise and tenon joints.


It is an “honest” piece of furniture, meaning that everything you see is real.
On average the Liège style wardrobe has a height of 2.3 meters. It is roughly 1.8 metres wide and has a depth of 0.7 metres. As mentioned earlier, they were in high demand, particularly appreciated for their practicality. An interesting feature, for instance, is the ability to dismount or dismantle the furniture into different modules. In other words, this linen closet can be easily taken apart if necessary. The separate modules or parts may be (re)assembled by making use of pins and pegs. Unfortunately, most of the time the original lay out of the wooden interior has disappeared.
Unique pieces of woodturning or nodes were attached to the upper cross beams at the back side and/or on the doors of the furniture piece, and were used to hang clothing on. Sometimes drawers were present at the bottom of the wardrobe.
The front side of this particular cloth cabinet seldom has a contoured profile (i.e. round, curved, bent, or hollowed). It is almost always flat or planar.

THE LIEGE STYLE WARDROBE


The Plinth or Base
The base of the cabinet may be styled in various different ways, with a cut-out plinth or with ball -or pear-shaped feet. In the 18th century the legs were often drenched in tar to avoid moisture from the floor from seeping into the cabinet. Typical for the Maastricht (NL) region was the so-called “claw” foot. Specifically, these furniture feet resemble a lion’s paw or the claw of a bird of prey (claw-and-ball foot). The furniture feet were always positioned in line with the posts and the pilaster, meaning that there were a total of three feet; two on each side and one in the middle.   



The Doors
The mullion or pilaster is located between the two doors and often houses the lock mechanism. Fixed pilasters are rarer than the ones that turn together with the right door. The lock is then located in the two door stiles. The most prevalent Liège style wardrobe generally consists of two or three doors, while types with four or five doors also exist, albeit in very small numbers.
The construction of the doors is captured in a traditional frame of rails, intermediate rails and stiles, finished with an elegantly profiled cornice. The most commonplace door composition is the one with two panels (proportion: 1/3 – 2/3). The doors are equipped with brass hinges. Original 18th century hinges were made of metal and covered with a thin layer of brass.
As indicated earlier, the front side of this cloth cabinet rarely has a contoured profile. It is almost always flat or planar. A rare but beautiful example of a Liège style wardrobe with a contoured profile can be found in the Cinquantenaire Museum (Dutch: Jubelpark Museum) in Brussels (B) (see photograph).

THE LIEGE STYLE WARDROBE


The Stiles
Almost all Liège style wardrobes have corner posts (stiles) which have been placed in a 45 degree angle. They often occur in planar (flat) or contoured (curved; i.e. convex) forms. Hollow (i.e. concave) corner posts or a combination of convex and concave posts also exist but are more infrequent. A nice example of this particular type of wardrobe can be found in the d’Ansembourg Museum in Liège.
Protruding corner posts truly give added value to the cornice, turning it into a real eye-catcher. However, most of the time the Liège style wardrobes are fitted with caved in or inward-facing corner stiles (see photograph).

The Top or Crown
The top or crown of a Liège style wardrobe is usually constructed in a horizontal fashion, although I am also familiar with a couple of masterpieces which have a curved crowns. The cornice is truly the eye-catcher of this cloth cabinet, with beneath it a frieze of approximately 12 cm in height, followed by an astragal moulding profile.
The frieze is abundantly decorated with style-specific ornaments. The cornice is often overhanging (i.e. it sticks out) and is nicely profiled, albeit less “dominant” than is the case with the Namur style wardrobe.
Sometimes the overhanging part of the cornice is cut out in a “Lambrequin” motif and adorned with style-specific ornaments. A nice example can be found in the d’Ansembourg Museum in Liège (see photograph).
The Liège style wardrobe exists in every Liège style period, always with its specific recognizable ornaments and compositions.

18th Century Liège Style Furniture 



Woodcarving and ornaments
The 18th century joiners or cabinet-makers operating in and around Liège successfully managed to skilfully integrate various decorations, compositions and ornaments, typical for of the French Louis XIV, Regency and Louis XV and XVI, into their own furniture. Fortunately, they did not attempt to compete with their French counterparts – for instance with the well-known and expensive cabinet-makers Boulle and Riesener – despite their extraordinary technical skills and competencies.

As previously mentioned, Liège style furniture is an “honest” type of furniture, meaning that everything you see is real. All the ornaments and embellishments are carved out of solid wood/mass, i.e. none of the wood carving has been glued or applied to the cabinet.

Translation KOEN VERHEES



18th Century Liège Style Furniture 


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Sunday, 1 November 2015

Hotel de Coninck in Ghent | Museum of Design Ghent | Furniture from Liege | 17th and 18th century style interiors and rooms.

Hotel de Coninck in Ghent | Museum of Design Ghent


Hotel de Coninck in Ghent,
  Museum of Design
17th and 18th century style interiors and rooms.
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A while ago I visited the city of Ghent (Belgium), a beautiful city full of amazing buildings. Ghent is “The best of both worlds”, a combination of the best from Antwerp and the best from Bruges,(two other Belgian cities) that is what CNN says on its website, and it is completely true.

In this blog article we will visit the Hotel de Coninck or “the Design Museum”.  As always, our focus is on the17th and 18th century decorative pieces of art, rooms and historic interiors.

 The Museum of Decorative Arts 

Hotel de Coninck, the Design Museum in Ghent








The Museum of Decorative Art-Hotel de Coninck, the Design Museum in Ghent, has its origins in the “Association of Industrial and Decorative Arts” founded in 1903 in Ghent. It was first housed in the Academy of Fine Arts, in the Academy Street. In 1922-1923 the collection was transferred to the Hotel de Coninck when the city bought the building. But just until 1958 the city also assumed the administration of the collection.

In 1754 the Hotel de Coninck was included in the list of buildings to protect. The conservation works started a little bit after, the side wall bears the anchors in the year 1755. The building itself is a very impressive example of the typical Flemish Bourgeois architecture from the 18th century. The request was filed in 1754 by a certain De Brouwer, but according to an inscription in the salon J. F. Allaert, the house was in possession of Ferdinand de Coninck since 1761.  



The person who has the opportunity to walk in the museum feels that he/she is immersing in the world of an 18th century rich family from Ghent
The rooms with authentic parquet floors and paneled walls and ceilings are decorated with rich furniture from the period. In May 1992 the new wing of the Design Museum in Ghent was officially opened. The building was designed by the architect Willy Verstraete. The unique pieces that were patiently gathered since the mid-1970 were preserved, in order to be exhibited. The Museum has a new building that is worth to see. From the courtyard to an 18th century façade that has been completely reconstructed. Behind it, a light and airy modern building. The unique find is a huge hydraulic lift in the central part of the building; this makes the floors more reachable. The potential to involve the audience in an exciting play of changing levels is almost unique. The collections of the “old” museum comprise furniture from the 17th and the 18th centuries, displayed in the stylish interior of the Hotel de Coninck.

Dining room at the Hotel de Coninck | Woodcarvings of  J. F. Allaert.


Dining room of the sculpture J. F. Allaert.

An Absolute highlight is the unique dining room where the wooden chandeliers –work of the Ghentse sculptor J. F. Allaerts- hangs on its original site. Other rooms are decorated with 18th century wall paintings or are lined with silk wall coverings. The lighting is provided by 18th century crystal chandeliers. Family characters have their portraits hanging on the walls, like the French King Louis XVIII, who also stablished the office located between the fine collection and the French furniture.




The staircase of Hotel de Coninck.

The newel (a central pole or support column) is decorated with a powerful volute, extended horizontally on a round base, where a goat is resting. The connection to the handrail is made by a bended pole with a braid motif and a garland of flowers. It is crowned by a magnificent carved ram’s head. 
The handrail is supported by a rectangular upwardly recessed, fluted baluster-shaped. The start of the staircase wall with its grooved plinth, his powerful volute and sculpted goat as a graceful counterpoise to the head pole. The stairway wall is decorated with wood paneling consisting in alternately of rectangular panels and fluted pilasters crowned with a rosette. The flutes include bar work. The most important part of the paneling contains a medallion with the image of Josef II.




 17th and 18th century style interiors and rooms | staircase



Style rooms at the Hotel de Coninck

Through the staircase we reach the first floor. Here you will find a hall of honor, which is surrounded by all kinds of style rooms: the Empire room, the Louis XVIII hall, the hall of Bishop Lobkowitz, the hall Ferdinand Scribe, a Director hall with paintings and a room with grisailles from the Boudelo Abbey. All of these rooms contain beautiful chimneys and various objects in the Lodewijk- or later styles.



Translation: Lis Alvarado



17th and 18th century style interior and rooms.


Museum of Design Ghent



17th and 18th century style interior and rooms.

Wood chandelier from J. F. Allaert


Website: Design Museum Ghent  http://www.designmuseumgent.be

 
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